Today I released
Celtic Harp for Kontakt 4 and higher:
Kontakt 4 - 393,4 MB unzipped - 48Khz/24Bit/stereo - 5 nkis/Instruments
328 Samples compressed using Kontakt 4's ncw format (767 MB uncompressed)
3 Impulse Responses
Price: 18 €
This library contains 328 Celtic Harp samples from my library Scattered Entity Vol. 1 for MachFive 3. A celtic harp with 27 strings (3.5 octaves) was multisampled in 48 Khz/24 Bit using 3 Neumann Microphones (L-C-R), a U87 for the centre and a stereo set of KM-184 for the sides.
InstrumentsCeltic Harp BisbigliandoPlaying a long bisbigliando (tremolo) on 2 equally tuned strings on the celtic harp, every C and G in each octave was sampled, lowest and highest notes are extended so the instrument has a range from C1 - C6.
Controls:
The Pitchbender is set to +/- 2 semitones
Knob 1 - Attack time
Knob 2 - Release time
Knob 3 - LFO-controlled pan modulation
Knob 4 - LFO-controlled modulation of highpass filter
Knob 5 - Low EQ
Knob 6 - High EQ
Knob 7 - Phaser amount
Knob 8 - Reverb send
Celtic Harp Dorian GlissandiCeltic harp tuned to a dorian scale - 7 glissandi split across the keyboard between C-1 - C7, reverse the sample with keyswitch B-2.
Controls:
The Pitchbender is set to +/- 1 octave
Knob 1 - Release
Knob 2 - Low EQ
Knob 3 - High EQ
Knob 4 - LP Cutoff
Knob 5 - LFO-controlled pan modulation
Knob 6 - Chorus amount
Knob 7 - Reverb send
Knob 8 - Reverb size
Celtic Harp Glissandi KSSix keyswitchable layers with celtic harp glissandi.
Layer 1 - Keyswitch C0 - rising glissandi major scale
G1 - F#2 upwards glissandi multiple gliss segments version 1
G 2 - F#3 upwards glissandi multiple gliss segments version 2
G3 - F#4 - upwards gliss single version 1
G4 - F#5 - upwards gliss single version 1
Layer 2 - Keyswitch D0 - falling glissandi major scale
G1 - F#2 - upwards glissandi multiple gliss segments version 1
G2 - F#3 - upwards glissandi multiple gliss segments version 2
G3 - F#4 - upwards gliss single version 1
G4 - F#5 - upwards gliss single version 1
Layer 3 - Keyswitch E0 - rising glissandi minor hamonic scale
same mapping as above
Layer 4 - Keyswitch F0 - falling glissandi minor hamonic scale
same mapping as above
Layer 5 - Keyswitch G0 - rising glissandi minor melodic scale
same mapping as above
Layer 6 - Keyswitch A0 - falling glissandi minor melodic scale
same mapping as above
Controls:
The Pitchbender is set to +/- 1 octave
Knob 1 - Release
Knob 2 - Low EQ
Knob 3 - High EQ
Knob 4 - LP Cutoff
Knob 5 - LFO-controlled pan modulation
Knob 6 - Chorus amount
Knob 7 - Reverb send
Knob 8 - Reverb size
Celtic HarpCeltic harp sampled at 3 velocity layers and 4x round robin. The harp was tuned to Cmj, all 7 notes per octave were sampled from B1 - E5. To extend the range, samples from the octave above/below were copied, keeping the root notes the same, so this instrument ranges from C1 - C6. The highest velocity was plucked with the fingernail, so it has an edgy sound with a small gliss, reminding of a banjo or an asian string instrument.
Controls:
The Pitchbender is set to +/- 2 semitones
Knob 1 - Attack time
Knob 2 - Release time
Knob 3 - Low EQ
Knob 4 - High EQ
Knob 5 - Reverb Mix
Knob 6 - Reverb size
Knob 7 - Chorus amount
Knob 8 - Chorus rate
Harpgliss DroneA sequence of accents played on the celtic harp while moving the tuning lever up and down for semitone glissandi and great rattling noises. This patch is running in Time Machine 2 mode, a rectangular-shaped LFO modulates the samples speed, various filters are engaged.
Controls:
The Modwheel adds random pitch modulation
The Pitchbender is set to +/- 1 octaves
Knob 1 - Attack time
Knob 2 - Release time
Knob 3 - speed of the LFO-controlled modulation of the vowel filter
Knob 4 - overall sample speed
Knob 5 - Highpass filter cutoff
Knob 6 - Lowpass filter cutoff
Knob 7 - Delay FX
Knob 8 - Reverb send
The demo was produced using three patches from this library, no post-processing whatsoever was applied apart from a Limiter on the Master Outs in Logic.